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From famous and beloved author E. B. White comes his impressions of New York City in 1948, along with two poems.
Perceptive, funny, and nostalgic, E. B. White's stroll around Manhattan remains the quintessential love letter to the city, written by one of America's foremost literary figures. The New York Times named Here Is New York one of the ten best books ever written about the metropolis, and the New Yorker called it ''the wittiest essay, and one of the most perceptive, ever done on the city.'' Included with this essay are two short poems by E. B. White: ''Commuter'' and ''Critic,'' both published in the New Yorker in 1925.[Introduction written by Roger Angell]
- Sales Rank: #1383392 in Books
- Published on: 1949-06
- Binding: Hardcover
- 55 pages
Amazon.com Review
"On any person who desires such queer prizes, New York will bestow the gift of loneliness and the gift of privacy." So begins E.B. White's classic meditation on that noisiest, most public of American cities. Written during the summer of 1948, well after the author and editor had taken up permanent residence in Maine, Here Is New York is a fond glance back at the city of his youth, when White was one of the "young worshipful beginners" who give New York its passionate character. It's also a tribute to the sheer implausibility of the place--the tangled infrastructure, the teeming humanity, the dearth of air and light. Much has changed since White wrote this essay, yet in a city "both changeless and changing" there are things here that will doubtless ring equally true 100 years from now. To wit, "New Yorkers temperamentally do not crave comfort and convenience--if they did they would live elsewhere."
Anyone who's ever cherished his essays--or even Charlotte's Web--knows that White is the most elegant of all possible stylists. There's not a sentence here that does not make itself felt right down to the reader's very bones. What would the author make of Giuliani's New York? Or of Times Square, Disney-style? It's hard to say for sure. But not even Planet Hollywood could ruin White's abiding sense of wonder: "The city is like poetry: it compresses all life ... into a small island and adds music and the accompaniment of internal engines." This lovely new edition marks the 100th anniversary of E.B. White's birth--cause for celebration indeed. --Mary Park
Review
"E.B. White's love letter to New York.” —AMNY’s “Books Every New Yorker Should Read"
"Just to dip into this miraculous essay—to experience the wonderful lightness and momentum of its prose, its supremely casual air and surprisingly tight knit—is to find oneself going ahead and rereading it all.White’s homage feels as fresh as fifty years ago." —John Updike
“New York was the most exciting, most civilized, most congenial city in the world when this book was written. It’s the finest portrait ever painted of the city at the height of its glory.”—Russell Baker
“The wittiest essay, and one of the most perceptive, ever done on the city.”—The New Yorker
�“Part reverie, part lament and part exultation, the essay has long been recommended by Manhattanophiles as the best sketch ever drawn of the place. But since September 11, 2002, several sentences near the end—sentences 55 years old—resound with a prescience so eerie they bear repeating. 'The city, for the first time in its long history, is destructible,' White writes. 'A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.'”—The Los Angeles Times
“… a masterpiece of travel writing. This edition contains an introduction by White's stepson, Roger Angell, himself a longtime�New Yorker�writer and the author of a number of best-selling books about baseball. After Sept. 11, readers will find this book touching, and prescient, in striking ways. Consider this paragraph: 'All dwellers in cities must live with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself, and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer might loose the lightning, New York must hold a steady, irresistible charm.' The charm isn't just the city. It is also the utterly perfect prose of E.B. White.”—Lousiville�Courier-Journal
“White epitomized the lucid and penetrating essayistic voice so treasured at the�New Yorker, an impeccable style employed to powerful effect in this exquisitely precise contemplation of the New York City of his youth, and, by extrapolation, of humankind at large. Written in 1948, this witty and perceptive praise song to New York is a classic.”
—Booklist, February 1, 2004
About the Author
E. B. White (1899-1985) was an American author and long-time contributor to the New Yorker. He was the author of more than seventeen books of prose and poetry and coauthor of the English language style guide The Elements of Style but is especially well-known for his beloved children's classics, Charlotte's Web, Stuart Little, and The Trumpet of the Swan. He was elected to the American Academy of Arts and Letters in 1973. He won numerous other awards and medals, including a special Pulitzer Prize for his body of work in 1978 and the 1971 National Medal for Literature and the Laura Ingalls Wilder Medal, which commended him for making ''a substantial and lasting contribution to literature for children.''
Most helpful customer reviews
1 of 1 people found the following review helpful.
A fascinating look at the greatest city
By William Edward Schenck
E.B. White was a very accomplished writer. His books and essays are some the best literature we have. His short book "Here Is New York" provides a good example of his gift as a generator of beautiful prose. He wrote this piece in 1948 and as the writer of the introduction, Roger Angell states White confronts the task with the knowledge that what he writes at his time will not endure because the city is ever changing metropolis. White likes to write with a heavy use of metaphor and he constantly anthropomorphizing what the city of New York has to offer us. He speaks of three basic types of individuals who spend their day in the city: the commuter who never really gets to know the city, the native individual who takes the city for granted and the ones who move in later in life who are in love with the city and enthralled with it's bill of fare. I enjoyed the book. It was fascinating to hear him speak of the boroughs that have evolved with the city. If he were to write the essay today I think he would be dismayed by the further disappearance of the places that he cherished and yet he would continue to express the belief that it is the greatest city in the world.
0 of 0 people found the following review helpful.
Not a book, but a good essay
By Product-Reviewer
As a New Yorker who grew up there in the 70's the essay is a fine piece, but this is NOT a book. It is a magazine article at best. Unless you want it for your bookshelf, and it will be lost among thicker volumes, you can just as easily find the text online or in your library.
6 of 6 people found the following review helpful.
Style, Truth, Prescience
By Barry Drogin
Early to a party, I was looking at a friend's bookcase and pulled this slim volume from a shelf. After reading the first sentence, I knew I had to have it.
Originally published in 1949, E.B. White, who no longer lived in New York City, captured the soul and spirit of the place. Nothing has changed. At the time, the United Nations building was under construction, and the bombing of London was fresh in his mind. He ends the book with a vision that perfectly balances hope with danger, in words prescient of September 11 - I re-read those paragraphs on every anniversary, it has become my ritual.
But what originally drew me to the book is not only the truth and insight of White, but his style, his felicity of expression. The author of "The Elements of Style" certainly knew the rules, and knew when to break them, as well. The second paragraph ends with a run-on sentence 198 words long, a thrilling joy ride which itself demonstrates how impossible it is to capture, in prose, the enormity and importance of this city.
I agree with Russell Baker, this is "the finest portrait ever painted of the city."
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